When I worked for the Dallas Museum of Art, nothing was as thrilling to me as what went on behind-the-scenes. So here is a peek of the installation of my work at the McKinney Ave. Contemporary. And out front, I'm in high cotton...just look at this incredible list of sponsors.
It took FIVE or was it SIX carloads to get the art to Dallas...major kudos to Adam Geyer for this! We had a wonderful mother/son trip up to Arkansas to retrieve several pieces from Tyson Foods and from my parents. Adam's muscles are almost as good as his brain!
Then, at the MAC, here's how it began, with a pile of beautiful unstained ash and poplar...the installation tables created by Gary Cunningham Architects. These are the most elegant Lincoln Logs ever. Gary and his assistant, Michael Bessner put together these tables with no hardware; they should patent this design!
It took FIVE or was it SIX carloads to get the art to Dallas...major kudos to Adam Geyer for this! We had a wonderful mother/son trip up to Arkansas to retrieve several pieces from Tyson Foods and from my parents. Adam's muscles are almost as good as his brain!
Then, at the MAC, here's how it began, with a pile of beautiful unstained ash and poplar...the installation tables created by Gary Cunningham Architects. These are the most elegant Lincoln Logs ever. Gary and his assistant, Michael Bessner put together these tables with no hardware; they should patent this design!
At the same time, I was unpacking my porcelains, from a motley assortment of 50 or so cardboard boxes. A lot of tissue paper and bubble wrap!
I did most of the art handling myself, but enjoyed the help of Leslie Connally, David McCollough and the MAC interns. Here, the Director, Liliana Bloch, and I pose beside the scarecrow, which was the first piece to go up.
I did most of the art handling myself, but enjoyed the help of Leslie Connally, David McCollough and the MAC interns. Here, the Director, Liliana Bloch, and I pose beside the scarecrow, which was the first piece to go up.
The unpacking and installing took five days, which was good because it gave me mulling time. It also helped to have my sister Wendy come one afternoon for moral support!
Later Rick arrived. Here he points out the poor little porcelain shoe that is the guinea pig for visitors who need to touch the art. We hope the shoe can still dance after this!
As work came out of the boxes, it was fun to see juxtapostions gather.Unwrapping the five pieces from Tyson Foods in Arkansas, like the quilt, was like a family reunion.
Better yet, Adam and Larkin arrived, here posing by their graduation gift pieces, also exhibited.
Some gallery views, almost done, with a bit of tweaking on Saturday before the opening...sort of like Turner on "Varnishing Day", I did some touch-ups, and it all came together.
One long shelf, two low tables, two high tables, 2 small wall tables...46 (I think) pieces.
I couldn't be happier with the minimal, cool, humble feel of this installation.
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